By The Fashion Swan
In the corridors of heritage luxury houses, change has arrived. Three of fashion’s historical maisons: Hermès, Fendi and Balmain have announced major creative-director transitions in the past weeks. These shifts matter: they reveal how the industry reinvents itself amid evolving consumer expectations, cultural currents and strategic redirections.

Hermès: Grace Wales Bonner Takes the Reins
After an extraordinary 37-year tenure, Véronique Nichanian stepped down as creative director of men’s ready-to-wear at Hermès. Her final collection is expected in January 2026.
Into this role steps 35-year-old British designer Grace Wales Bonner, a move that is both historic and strategic. She becomes the first Black woman to lead a major house’s menswear division at this level.
Wales Bonner’s résumé is defined by cerebral tailoring, cultural resonance (especially with her British–Jamaican heritage) and collaborations that span art, music and fashion. Her own label has been praised for intellectual menswear, blending traditions of Savile Row with Afro–Atlantic sensibility.
The appointment speaks volumes. Hermès, a house synonymous with timeless elegance, craftsmanship and equestrian heritage, is signalling a desire to refresh its men’s offering for a younger, culturally attuned audience. At the same time, it remains committed to continuity: Wales Bonner will debut her collection only in January 2027, giving Hermès time to transition from Nichanian’s era.
Fendi: Maria Grazia Chiuri Returns to the Maison
At Rome’s illustrious maison, Fendi has confirmed the appointment of Maria Grazia Chiuri as its new creative director, succeeding Silvia Venturini Fendi, who moves to the role of honorary president.
Chiuri’s relationship with Fendi is deeply rooted: she began her career there (1989-1999) designing accessories and learning under the Fendi sisters. Her subsequent career saw successes at Valentino and then at Dior where she was the first woman ever to hold the creative director role.
Her return to Fendi arrives at a pivotal moment: as the house marks its centenary and looks to shape a new era under the umbrella of LVMH. The appointment signals a pivot to craftsmanship, heritage and culture-driven femininity, all while embracing the contemporary era.
Balmain: Olivier Rousteing Departs, Antonin Tron appointed the new voice.
In a move that closes one of the most visible creative eras in recent fashion, Balmain has confirmed that Olivier Rousteing is stepping down after 14 years as creative director.
Rousteing, appointed in 2011 at just 25 years old, became known for revitalising Balmain with a signature style of couture craft, rock-glamour and pop-culture spectacle. His “Balmain Army” of celebrity collaborators and his social-media-driven runway language redefined the house for a global audience. In a bold and strategic transition, Balmain has appointed Antonin Tron as its new creative director, effective November 2025.
Tron, founder of Atlein and a graduate of the prestigious Royal Academy of Fine Arts in Antwerp, brings nearly two decades of experience at houses including Louis Vuitton, Givenchy, Balenciaga and Saint Laurent. His work is celebrated for sculptural draping, a deep understanding of fabric movement and an emphasis on quietly powerful femininity. Tron will present his first collection for Fall/Winter 2026/27 during Paris Fashion Week in March.
Final Thoughts:
These appointments are part of a broader trend in luxury, houses seeking new voices to refresh their codes amid slower market growth and evolving consumer expectations.
All three houses are doubling down on their legacies yet choosing creatives who bring both heritage and contemporary relevance.

Leave a comment